Movie Review of ‘Holy Motors: An Odyssey Into the City of Light’ February 27, 2013 Holy Motors marks the return of French auteur Leos Carax after a 13-year hiatus since his last film. And he arrives in grand fashion, positing an exuberant, surreal tale that’s quite unlike any other film in recent years. Any attempt to accurately and succinctly convey the narrative would prove futile, and perhaps beside the point. Mr. Carax presents an avant-garde patchwork of scenes, whose only commonalities are the lead character, the distinct visual fingerprints of its director, and a pervading sense of despair.
